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Paper was introduced as a medium as an alternative to bark a number of years ago. There are a number of advantages for both artists and buyers. Paper is available all year round whereas bark can only be removed from trees for approximately 6 months of the year during and after the wet season (December till June). Taking the bark from a tree kills the tree whereas the paper is 100% cotton. Paper is also much easier to freight.
As the market for Aboriginal art has expanded beyond local sales, ease of transport is an important consideration for exporting. Barks respond to humidity and can warp and become mouldy. Older barks can become brittle and crack. The paper used by Injalak Arts and Crafts is made in France by Arches and is 640gsm. The paper has a density and texture not unlike the surface of bark and lends itself well to being painted upon with ochres. The surface of the paper is prepared with gouache.
Interestingly the commercial response to this medium is very positive and works on paper account for more than 75% of the Art Centre's painting sales, however the choice of whether to paint on bark or paper is left to the individual artists.
Works on paper are available in the following sizes:
XX Small |
310 x 210mm |
X Small |
310 x 410mm |
Mid |
600 x 410mm |
Small |
560 x 750mm |
Medium (1/2 sheet) |
1000 x 750mm |
Full Sheet |
1000 x 1500mm |
Papers small size and above come with an authentication which includes a photograph and the story of the painting. Authenticity is perhaps the most critical issue facing the industry. Without authentication from a reputable supplier, art purchased now may not appreciate in value in years to come .

'Ngalyod' by Roderick Maralngurra
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