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return false;});});Jimmy_Namarnyilk2 = function (data, options) {return lQuery.Jimmy_Namarnyilk2.impl.init(data, options);};Jimmy_Namarnyilk2.close = function (doNext) {return lQuery.Jimmy_Namarnyilk2.impl.close(doNext);};var Jimmy_Namarnyilk2_Jimmy_Namarnyilk_options = lQuery.extend(true,{ }, lQuery.Jimmy_Namarnyilk2.impl.defaults, {modalFullId: "Jimmy_Namarnyilk2_Jimmy_Namarnyilk"});lwmw_preloadImages(Jimmy_Namarnyilk2_Jimmy_Namarnyilk_options);Jimmy_Namarnyilk2.Jimmy_Namarnyilk=Jimmy_Namarnyilk=function(options){lQuery.Jimmy_Namarnyilk2.impl.init("ARTIST  BIOGRAPHY</p> <p align=\"center\"><br /> </p> <h1>Kalarriya  &lsquo;Jimmy&rsquo; Namarnyilk</h1> <p align=\"center\"><br /> </p> <p align=\"center\"><br /> </p> <p align=\"center\"><br /> </p> <h2>Clan:		Wurrban</h2> <p><br /> </p> <h3>Language:	Kunwinjku</h3> <p><br /> </p> <p> <strong>Country: </strong>Gammargowan,  Manmoyi, (western Arnhem Land) Spring Peake (Kakadu), Nabarung</p> <p><br /> </p> <p><strong>Collections</strong>: </p> <p><br /> </p> <p>Art  Gallery of South Australia, Adelaide</p> <p>Museum  of Contemporary Art,  Sydney</p> <p>National  Gallery of Victoria, Melbourne<br />     <br /> </p> <p><strong>Art  Centre:</strong> Injalak Arts, Gunbalanya (Oenpelli)</p> <p><br />     <strong>Group  Exhibitions</strong>:</p> <p><br /> </p> <p>2010,  Shortlisted in the National Aboriginal and Torres Strait Islander  Awards NATSIAA.</p> <p><br /> </p> <p> 1989,  A Myriad of Dreaming: Twentieth Century Aboriginal Art, Westpac  Gallery, Melbourne: Design Warehouse Sydney </p> <p> <br /> </p> <p>1990,  Spirit in Land, Bark Paintings from Arnhem Land, National Gallery of  Victoria, Melbourne</p> <p><br /> </p> <p>1994,  Power of the Land, Masterpieces of Aboriginal Art, National Gallery  of Victoria </p> <p><br /> </p> <p>1994,  Art of the Rainbow Snake, National Gallery of Victoria, Melbourne</p> <p><br /> </p> <p>2003  National Aboriginal and Torres Strait islander Art Awards, Museum and  Art galleries of the NT, Darwin</p> <p><br /> </p> <p> 2004, 21st  National Aboriginal and Torres Strait Islander Art Awards, Museum and  Art Gallery of the Northern Territory, Darwin</p> <p> <br /> </p> <p> 2005 February,  &lsquo;Old School&rsquo; &ndash; Art of three major proponents of single rarrk  artists of western  Arnhem Land, Indigenart Gallery, Perth</p> <p> <br /> </p> <p>2005  March, Single line artists, Raft Artspace, Darwin, NT.</p> <p><br /> </p> <p>2005  Djungkay, solo exhibition at Mossenson Galleries, Melbourne</p> <p><br /> </p> <p>2006  May, Wet &amp; Dry, Mossenson - Indigenart Gallery, Perth</p> <p><br /> </p> <p>2005,  Art from the Stone Country, Darwin Entertainment Centre, Darwin</p> <p><br /> </p> <p>2006  Landmarks, National Gallery of Victoria, Melbourne</p> <p><br /> </p> <p>2007,  Above &amp; Beyond, Caruana &amp; Reid Fine Art, Elizabeth Bay,NSW</p> <p><br /> </p> <p>2009,  Single Line: A Continuing Tradition, The Artists of Injalak Arts and  Crafts, Mossenson Galleries, Melbourne</p> <p><br />     <br />   <strong>Commissions</strong>: </p> <p><br /> </p> <p>An  original Kalarriya design was used on the Australian 65c stamp issued  in 1982<br />     <br />   <strong>Bibliography</strong>: </p> <p><br /> </p> <p>Diggins,L.,  (ed), 1989, A Myriad of Dreaming</p> <p><br /> </p> <p>Twentieth  Century Aboriginal Art, exhib. cat., Malakoff Fine Art Press, Nth  Caulfield, Victoria</p> <p><br /> </p> <p>Isaacs,  J., 1984, Australia&rsquo;s Living Heritage Arts of the Dreaming,  Landsdowne Press, Sydney.; </p> <p><br /> </p> <p>Ryan  J., 1990, Spirit In Land, exhib. cat., National Gallery of Victoria,  Melbourne.<br />     <br />   <strong>Notes</strong>: </p> <p><br /> </p> <p>Kalarriya  is of the nawamud (kodjok) sub-section. He is a member of the Wurrban  clan whose estate is situated in the upper reaches of the Cadell  River. His wife Eva Balitja is of ngalbangardi sub-section. Kalarriya  has told George Chaloupka that he was &lsquo;grown up&rsquo; (raised) by  Nipper Kapirigi, a Gundjeihmi man of the Badmardi clan whose  traditional estate was far to the west in the Deaf Adder Creek  Valley, now a restricted part of the Kakadu National Park. Kalarriya  accompanied Kapirigi when Kapirigi was engaged in various jobs and  partook in social and ritual obligations throughout the Alligator  River country and the Pine Creek-Katherine region. After the Second  World War, Kalarriya and Kapirigi worked alongside Billy Miargu,  &lsquo;Old&rsquo; Nabandjole and George Namingum, shooting buffalo in the  Nourlangie-Deaf Adder Creek-Jim Jim area for Bob Cole.<br />     <br />   Due to  his association and travels with Kapirigi and other senior men to  many parts of the great Arnhem Plateau, Kalarriya has a sound  knowledge of clan territories, sites of significance and associated  traditions. Today he is seen as the most senior ritual  specialist.<br />   <br />   Kalarriya used to reside at various outstations  according to season, family and ritual obligation. They may include  Manmoyi or Gamarrgowan on the Mann River in west Arnhem Land or at  Spring Peake in Kakadu National Park.<br />   <br />   As a young man Kalarriya  contracted leprosy that affected his hands and feet. Today he  maintains great energy and zest for living and painting. Kalarriya  paints through the Injalak Arts Centre in Gunbalanya (Oenpelli).</p> <p><br />   Initial  notes are from NATSIVAD ",lQuery.extend(true, {}, Jimmy_Namarnyilk2_Jimmy_Namarnyilk_options,options));};lwmw_checkVarUrl('Jimmy_Namarnyilk2', 'Jimmy_Namarnyilk');}}}
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